davinci resolve studio 15 desqueeze anamorphic

When shooting on a standard 16:9 camera, a 1.33x lens will deliver that beautiful 2.39:1 aspect ratio for the more traditional look. That’s where the 1.33x anamorphic lens comes in. On the other hand, if you were to use a 2x anamorphic lens on a 16:9 (HD) sensor, the de-squeezed image would be ultra wide at 3.55:1, which is far too wide for most purposes. When a 4:3 anamorphic image is de-squeezed, the resulting image will have an aspect ratio of 2.39:1, which is a standard widescreen aspect. For example, a 2x anamorphic lens will double the amount of horizontal information when compared to a spherical lens.Ī 2x anamorphic lens is most often used with a 4:3 sensor or standard 4:3 motion picture film. These numbers refer to the amount of squeezing that the lens will produce. Two of the most common types of anamorphic lenses are 2x and 1.33x.

Whether you want to shoot anamorphic as a means to gain more quality, or simply achieve that Hollywood look, here’s what you need to know. On the other hand, an anamorphic lens is able to take full advantage of all 1152 lines of vertical resolution.īut filmmakers don’t only love anamorphic lenses because they offer greater quality - they also love the unique characteristics anamorphic images produce, including their distinctive lens flares. For instance, a 2K image that’s cropped to a 2.39:1 (widescreen) aspect ratio, only has 858 lines of vertical resolution. The end result is a beautiful, wide image, rich with detail and resolution.Īlthough you can compose the exact same frame using either spherical or anamorphic lenses, you’ll ultimately need to crop your image in some way in order to achieve a wide aspect ratio when using a spherical lens, making it less desirable. They work by capturing a stretched and distorted image that squeezes more information into the frame that can later be de-squeezed in post-production. Here’s how you can too.Īnamorphic lenses are designed to capture wide aspect images on 4:3 film (or digital sensors), without having to crop the image and sacrifice quality. Anamorphic footage has become synonymous with the “Hollywood” look, which has many independent filmmakers using anamorphic lenses as a means to add production value to their projects.

Davinci resolve studio 15 desqueeze anamorphic